I had a good day and bad day with regards to music. The good day came when I realized that former Helmet founder, Page Hamilton, had started a band called “Gandhi”. Rock. Heard some demo types of songs. Double rock. Unfortunately, I missed them when they performed at the Middle East in Cambridge on 10/24/2002. Oh well. Can’t win ‘em all.
Now, I’ve been following a few recording-related journals recently. One of my favorites is by Mixerman on Pro Sound Web.
Ever since the Napster thing, I’ve wondered — really — how much of commercial music is really mired in scandal, in stark contrast to its over-produced sound. Well, quite a bit, actually.
It’s been mentioned to me, more than once, in my suggestion of Lars Ulrich being a terrible drummer, that he could barely play on any of the albums after “… And Justice for All”. That rang true, since I found his drumming to be unlistenable on most of those songs. But further, it seems like evidence of razoring (that is, splicing together a take of a song that’s on tape by slicing it with a razor and taping it together) appears to have surfaced on the Metallica “1 and a half years” video that chronicles the making of “the Black Album”. I will rent this video and see for myself.
So, let me get this straight… Lars Ulrich was so bold as to accuse people of stealing his work on Napster, when in fact: (a) he never actually recorded the parts in question and (b) he doesn’t own one bit of the work, as the label does.
A drummer that I formerly was in a band with, Ira, used to play Metallica songs to jam with, or to warm up with, so that leads me to ask: why can’t bands play the songs that they’ve written? And why don’t we have a recording contract if we’re truly able to play?
Because we’re ugly, too Indian, and too Jewish. But at least we only use razors for shaving.