There’s nothing worse than seeing the rock ‘n’ roll heroes of your youth turning to shit, becoming washed up, and trying to jump the shark while failing miserably. In this case? I’m talking about Metallica.
(Obviously, I’m being histrionic. There are clearly worse things in life that can happen than being washed up.)
For me, Metallica had 3 terrific overall albums, and 1 great rock album. “Kill ‘em All (a.k.a. “Metal Up Your Ass”)”, “Master of Puppets”, and “… And Justice for All”[1] were the terrific ones. The “Black Album” is a great rock album, but also signified a change in the band. Metallica, in essence, changed the way that I listened to and performed rock music: time changes, technique (for guitars, not drums [2]), phrasing, etc. This made my interest in Metallica significant, or at least until 1996.
In 1996, Metallica released “Load”, which was essentially “Metallica Unleaded”. The guitar playing was weak. The songwriting was weak. And the weak spots of earlier Metallica efforts were greatly exploited by the new material. In particular, I’m talking about the drums, which were clearly the weakest link of this release (and of subsequent releases). Since then, Metallica has released a couple of other albums of the same ilk, did a symphonic piece, publicly trashed each other in “Playboy” magazine, then had a public falling out with their bassist, Jason Newsted. They got into a scrum with filesharing service, Napster. James Hetfield, lead singer, put himself into rehab for alcohol abuse. In other words? The looming demise of another corporate brand. Or was it?
Yesterday morning, on VH-1 (or was it MTV?), I caught the return of Metallica, a video for “St. Anger” (yes, that’s “Saint Anger”). It starts out with Metallica entering a prison, being warned by a guard about the prison’s “no hostages” policy, which means: “if you’re taken hostage, we won’t negotiate with your captors, so you’re on your own”. Oookay. After this warning, the rock ‘n’ roll cavalcade is let loose. The song sounds cool. And then? The song sucks terribly. And then? The song sounds cool. Cross-cut to images of prisoners and their tattoos. And then? The song sucks terribly. And then? Cross-cut to images of why various prisoners are incarcerated. And then? The song sucks terribly.
In the end? Screen fades to black with the following text on the screen: “Metallica dedicates this song and video to the lost souls at San Quentin”. Really? Well, I guess that dedicating a sucky song to a group of violent and career criminals is shades better than dedicating it to important people like those who aren’t career criminals. In all? What else is there to say?
[1] Don’t get me wrong; for a great album, “… And Justice For All” had some *major* production problems. The bass was non-existent. The drums sounded like someone was pelting the drum heads with handfuls of coins. The album had a weak bottom end, which is an embarassment when you’re talking about metal. But the guitar playing and songs? WOW. It blew my mind. You just don’t hear stuff like “The Shortest Straw” anymore.
[2] Lars Ulrich, in my opinion, has always been a weak drummer technically. Yeah, his “double kick (drum)” extravaganzas on Metallica’s first four albums were great, but his lack of chops really hindered all of the music after the “Black Album”. This, in large part, is what I blame for sucking the life out of Metallica.